2009

Freeman, J. (2009, March 4). “Giving Your GWT Application a Voice,” in Google Web Toolkit Blog (official Google developer blog). Available from http://googlewebtoolkit.blogspot.com/2009/03/giving-your-gwt-application-voice.html.

Weinberg, G., Blosser B. (2009) “A Leader-Follower Turn-taking Model Incorporating Beat Detection in Musical Human-Robot Interaction” in the Proceedings of the ACM/IEEE International Conference on Human Robot Interaction, (HRI 2009) San Diego, CA.

Weinberg, G., Mallikarjuna, T., Ramen (2009)” Interactive Jamming with Shimon: A Social Robotic Musician,” in the Proceedings of the ACM/IEEE International Conference on Human Robot Interaction, (HRI 2009) San Diego, CA, pp. 233-234.

2008

Freeman, J. (2008). “Thoughts Around Terry Riley’s Chanting the Light of Foresight,” in Open Space, 10, p. 143-149.

Parag Chordia, Mark Godfrey, Alex Rae. “Extending Content-Based Recommendation: The Case of Indian Classical Music.” In Proc. of the 8th International Conference on Music Information Retrieval (ISMIR). (pdf)

Mark Godfrey, Parag Chordia. “Hubs and Homogeneity: Improving Content-based music modeling.” In Proceedings of International Conference on Music Information Retrieval, 2008.

Parag Chordia, Alex Rae. “Tabla Gyan: A System for Realtime Tabla Recognition and Resynthesis.” In Proc. of the 2008 International Computer Music Conference (ICMC). (pdf) (presentation slides>

Parag Chordia, Alex Rae. “Raag vidya: Real-time Raag Recognition for Interactive Music.” In Proc. of the 2008 International Conference on New Interfaces for Musical Expression (NIME). (pdf)

Parag Chordia, Alex Rae. “An empirical survey of emotion in raag music.” In Lecture Notes in Computer Science (LCNS), 2008.

Parag Chordia, Alex Rae. “A large-scale survey of emotion in raag music.” In Proceedings of International Conference of Music Perception and Cognition, 2008. (pdf)

Freeman, J. “Collaborative Creation, Live Performance, and Flock.” Leonardo Music Journal Vol. 18, 2008.

Freeman, J. “Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance.” Computer Music Journal Vol. 32, No. 3, 2008.

J. Freeman. “Technology, Real-time Notation, and Audience Participation in Flock.” Proceedings of the International Computer Music Conference (Belfast), 2008.

Freeman, J. “Glimmer: Creating New Connections.” Transdisciplinary Digital Art: Sound, Vision and the New Screen. Communications in Computer and Communication Science. Springer, 2008.

Freeman, J. “Graph Theory: Linking Online Musical Exploration to Concert Hall Performance.” Leonardo 41/1, 2008.

Weinberg, G. “The Music Box”, in Turkle S. (Ed.) Objects in Mind: Falling for Science, Technology and Design. Cambridge MA: MIT Press. 

Weinberg, G. (2008) “Extending the Musical Experience – From the Digital to the Physical and Back”, in Seifert W., Hyun Kim J. and Moore A. (Eds.) Paradoxes of Interactivity – Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations. Bielefeld, Germany: Transcript Verlag Press. 

Weinberg G., Godfrey M., Rea, A., Rhodes, J. (2008) “A Real-Time Genetic Algorithm In Human-Robot Musical Improvisation”, Lecture Notes in Computer Science, Springer Press.

Weinberg, G. (2008)  “The Beatbug – Evolution of a Musical Controller”, Digital Creativity, Taylor and Francis Press. 

Weinberg, G. (2008) “Bluetaps – Transforming Cell Phones into Expressive and Gestural Musical Instruments ” the Proceedings of International Conference on Intelligent Technologies for interactive entertainment (INTERTAIN 08), Cancun, Mexico.

2007

Chordia, P., Rae, A. “Modeling and Visualizing Tonality in N. Indian Classical Music.” In Proc. of the 2007 Neural Information Processing Systems Foundation (NIPS). (submitted)

Chordia, P., Rae, A. “Automatic Raag Classification Using Pitch-class and Pitch-class Dyad Distributions.” In Proc. of the 7th International Conference on Music Information Retrieval (ISMIR). (pdf) (presentation slides)

Chordia, P., Rae, A. “Understanding Emotion in Raag: An Empirical Survey of Listener Responses.” In Proc. of the 2007 International Computer Music Conference (ICMC). (pdf) (presentation slides)

Chordia, P., Rae, A. “Relating Judgments of Dissonance to Sensory Consonance in the Context of Indian Classical Music” Abstract In Proc. of the 2007 Society for Music Perception and Cognition (SMPC). (pdf)

Chordia, P. ” A System for the Analysis and Representation of Bandishes and Gats Using Humdrum Syntax.” In Proc. of the 2007 Frontiers of Research in Speech and Music Conference (FRSM 2007). (pdf)

Freeman, J. “Graph Theory: Linking Online Musical Creativity to Concert Hall Performance.” Proceedings of the 6th ACM Creativity and Cognition Conference (Washington, DC), 2007.

Freeman, J. “Graph Theory: Interfacing Audiences Into the Composition Process.” Proceedings of the New Interfaces for Musical Expression Conference (New York), 2007.

Freeman, J., Cerar, M. “Graph Theory and the Virtual Composer Residency Project.” Proceedings of the Spark Festival of Electronic Music and Art (Minneapolis), 2007.

Freeman, J. “Composer, Performer, Listener.” In Komponieren in der Gegenwart: Texte der 42. Internationalen Ferienkurse für Neue Musik 2004.ed. Jörn Peter Hiekel. Saarbrücken, Germany: Pfau Verlag, 2007.

Weinberg, G., Godfrey, M., Rae, A., Rhodes, J. “A Real-Time Genetic Algorithm in Human-Robot Musical Improvisation”, Lecture Notes in Computer Science, Springer Press (also appears at Proceedings of International Computer Music Conference (ICMC 2007), Copenhagen, Denmark, pp. 192-195.

Weinberg, G. (2007) “Musical Interactions Between Humans and Machines” in Sarkar N. (Ed.) Human-Robot Interaction. Vienna Austria: Ars Press. pp. 423-444.

Weinberg, G., Driscoll S. “The Robotic Percussionist - Bringing Interactive Computer Music into the Physical World”, in Sick. A. and Lishca C. (Eds.) Machines as Agency – Artistic perspectives. Bielefeld, Germany: Transcript Verlag Press, pp. 66-82.

Weinberg, G. “The Design of a Perceptual and Improvisational Robotic Marimba Player”, Proceedings of IEEE International Workshop on Robot and Human Interactive Communication (RO-MAN 2007), Jeju, Korea, pp. 132-137.

Weinberg, G., Driscoll S. (2007) “Introducing Pitch, Melody and Harmony into Robotic Musicianship”, Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2007), New York City, NY, pp. 228-233.

Weinberg G., Driscoll, S. (2007) “The Interactive Robotic Percussionist: New Developments In Form, Mechanics, Perception And Interaction Design”, Proceeding of the ACM/IEEE international conference on Human-robot interaction (HRI 2007), Arlington, VA. pp. 97-104.

2006

Chordia, P. “Automatic raag classification of pitch-tracked performances using pitch-class and pitch-class dyad distributions.” In Proc. of the 2006 International Computer Music Conference (ICMC 2006), New Orleans, LA.

Chordia, P. “Automatic transcription and representation of solo tabla music.” Computing in Musicology. Vol. 13.

Chordia, P. Automatic transcription of solo tabla music. Ph.D. dissertation, Stanford University.

Freeman, J. “Fast Generation of Audio Signatures to Describe iTunes Libraries.” Journal of New Music Research, Vol. 35, No. 1, 2006.

Freeman, J. “Glimmer: Creating New Connections.” Digital Art Weeks (Zurich), 2006.

Thatcher T., Jimison D., Goetzinger J., Freeman J., Weinberg G. “Mobile Networked Music Demonstration: Sequencer404″ Proceedings of International Computer Music Conference (ICMC 2006), New Orleans, LA.

Thatcher T., Jimison D., Goetzinger J. “Sequencer404: A Networked Telephonic Composer” Mobile Music Workshop 2006. Brighton, UK.

Weinberg G., Driscoll S. “Towards Robotic Musicianship” Computer Music Journal 30:4, MIT Press, pp. 28-45

Weinberg G., Thatcher T. “Interactive Sonification: Aesthetics, Functionality and Performance” Leonardo Music Journal 16, MIT Press.

Weinberg G., Freema, J., Chordia P., Clark F., Moore C., Driscoll S., and Thatcher T. “Georgia Tech Music Technology Group – Studio Report” Proceedings of International Computer Music Conference (ICMC 2006), New Orleans, LA

Weinberg G., Driscoll, S., Thatcher T. “Jam ’aa – A Percussion Ensemble for Human and Robotic Players” ACM International Conference on Computer Graphics and Interactive Techniques (SIGGRAPH 2006), Boston, MA.

Weinberg G., Thatcher T. “Interactive Sonification of Neural Activity” Proceedings of the International Conference on New Interfaces for Musical Expression (NIME 2006), Paris, France

Weinberg G., Driscoll S. “Robot-Human Interaction with an Anthropomorphic Percussionist” Proceedings of International ACM Computer Human Interaction Conference (CHI 2006). Montréal, Canada, pp. 1229 - 1232

2005

Chordia P. “Segmentation and recognition of tabla strokes.” In Proc. of the 6th International Conference on Music Information Retrieval (ISMIR), pages 107-114.

Chordia P. “Automatic labeling of tabla strokes”. Journal of the Sangeet Research Academy.

Freeman J., Ramakrishnan C., Varnik K., Neuhaus M., Burk P., Birchfield D. “Auracle: A Voice-Controlled Networked Sound Instrument.” Organised Sound, Vol. 10, No. 3, 2005.

Freeman J., Ramakrishnan C., Varnik K., Neuhaus M., Burk P., Birchfield D. “The Architecture of Auracle: A Voice-Controlled Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Barcelona), 2005.

Freeman J. “Large Audience Participation, Technology, and Orchestral Performance.” Proceedings of the International Computer Music Conference (Barcelona), 2005.

Weinberg G. “Local Performance Networks – Musical Interdependency through Gestures and Controllers” Organized Sound, Cambridge University Press pp. 255-267.

Weinberg G. “Voice Networks – Exploring the Human Voice as a Creative Medium for Musical Collaboration” Leonardo Music Journal, MIT Press: Vol. 15 pp.23-26.

Weinberg G. “Interconnected Musical Networks – Towards a Theoretical Framework” Computer Music Journal, MIT Press, Vol. 29:2, pp. 23-39.

Weinberg G., Driscoll S., Parry M. “Haile – An Interactive Robotic Percussionist” Proceedings of International Computer Music Conference (ICMC 2005). Barcelona, Spain, pp. 622-625.

Weinberg G., Driscoll S., Parry M. “Musical Interactions with a Perceptual Robotic Percussionist” Proceedings of IEEE International Workshop on Robot and Human Interactive Communication (RO-MAN 2005) Nashville, TN, pp. 456-461.

Weinberg G., Driscoll S. “Iltur – Connecting Novices and Experts Through Collaborative Improvisation” Proceedings of Conference on New Interfaces for Musical Expression (NIME 2005), Vancouver, Canada, pp. 17-22.

2004

Chordia, P. “Automatic rag classification using spectrally derived tone profiles.” In Proceedings of the 2004 International Computer Music Conference (ICMC).

Freeman J., Ramakrishnan C., Varnik K., Neuhaus M., Burk P., Birchfield D. “Adaptive High-level Classification of Vocal Gestures Within a Networked Sound Instrument.” Proceedings of the International Computer Music Conference (Miami), 2004.

Freeman, J. “N.A.G. (Network Auralization for Gnutella).” In Proceedings of ACM Multimedia (New York), 2004.

Varnik K., Freeman, J., Ramakrishnan C., Burk P., Neuhaus M., Birchfield D. “Tools Used While Developing Auracle: A Voice-Controlled Networked Instrument.” In Proceedings of ACM Multimedia (New York), 2004.

Ramakrishnan C., Freeman J., Varnik K., Birchfield D., Burk P., and Neuhaus M. “The Architecture of Auracle: A Real-Time, Distributed, Collaborative Instrument.” Proceedings of the International Conference on New Interfaces for Musical Expression (Hamamatsu), 2004.

Weinberg G., Clark F. “Georgia Tech Music Department – Studio Report” Proceedings of International Computer Music Conference (ICMC 2004), Miami, Florida, pp. 119-122.

Weinberg G. “Voice Networks – Exploring the Human Voice as a Creative Medium for Musical Collaboration” Proceedings of International Computer Music Conference (ICMC 2004) Miami, Florida, pp. 623-626.

2003

Weinberg G. “Playpens, Fireflies, and Squeezables – New Musical Instruments for Bridging the Thoughtful and the Joyful” Leonardo Music Journal, MIT Press: Vol. 12, pp. 43-51.

Weinberg G. “Interconnected Musical Networks – Bringing Expression and Thoughtfulness to Collaborative Music Making”, PhD Thesis, MIT Media Laboratory, Cambridge, MA.